Given my research on verbal dispute, and knowing the old saying:
Sticks and stones may break my bones but names will never hurt me
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George Elgar Hicks: The Lament of Jephthah's Daughter, 1871 |
Exactly who did Jephthah expect would come out of the house to meet him?
Not Nip the dog or Fluff the cat.
'Whoever', not 'whatever' - telling choice of word, that.
The text informs us that Jephthah's household is not exactly large: he has only one child. Presumably there's a mother... possibly some servants. Perhaps he had in mind a servant coming to meet his Master, to tend to him and the horse, then meet his Maker? Or, heaven forfend, Jephthah's wife - after all, only the one child, and a daughter at that...? He gets to fulfil his vow, and then replace the first wife with another more fertile companion? Brutal, but convenient.
But no, it's his daughter who meets him:
'Yay! Daddy's home!... You did what?!'
The unnamed daughter is sacrificed - after all, vows must be fulfilled and honour kept intact. She is the price to be paid to broker victory in battle, with no real agency of her own. And yet, for all that the outcome will still be the loss of her life, she speaks up:
she lays out her terms. If she's going to go, she'll go off and do what she needs to do - prepare in whatever way she needs to, hang out with her pals, perhaps have some big conversations where, whenever her Dad is mentioned, there's some serious side-eye happening.
I wanted this young woman to have a name... wondered about her response... thought about it in a more Scottish context. And the line wondered through my head:
'Wee Senga's off to the disco with her pals.'
So, below, a work in process. I'd quite like the finished product to be properly in Scots - we shall see!
Senga, dancing/
Wee Senga’s off to the disco with her pals.
They’ll dance around their handbags,
have a few swallies –
but not get too puggled, mind:
every moment, every minute,
meant to last a lifetime.
Wee Senga’s off away soon.
They’ll dance like they’ve never danced before,
celebrate in style –
a cheeky Vimto and a stolen kiss,
and laugh to cover up the inner scream
at her body, brokered for him.
Wee Senga’s living like every day’s her last;
They’ll keep on dancing ‘til the party ends –
two months will go too fast –
an’ if anyone should tut and say:
‘but yer Da’ll kill you!’
She’ll just say: ‘Aye, so he will.’
Nik Mac c.2023
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Lot's Wife Pillar, Mt Sodom, Dead Sea, Israel |
'Ark'
They
placed the tiny cargo
into
the makeshift ark,
pushed
it out
past
the reeds
hoping
for salvation.
No
saccharine story
filled
with
happily
paired animals,
no
cheerful snatches of
‘Arky,
arky’.
But
perhaps,
in
its own distinctive way
this,
too, was a story
of
new beginnings:
a
reset.
Mercy
moved
the midwives,
not ambition;
It
was never about
making
a name for themselves
in
the larger story
of
a people
and
their god…
Even
so,
the
story lifts them above
the
nameless Pharoah:
Shiphrah
and Puah
live
on,
named
and righteous.
Odd, how the ‘cull’ order
seemed only to see
an increase
in the Hebrew birth-rate.
If
it was subversive,
an
act of resistance
against
state-sanctioned slaughter
of
innocents,
so
be it…
‘The
women give birth quickly, Sire,’
they
lie
to
the old man on the throne,
even
as his daughter
draws out
the river-child
from the basket that will bear his name,
and
takes him home.
c. Nik 2023
*'Ark' - from the Heb. תֵּבָ×”, tevah; 'box, or 'basket' - used only twice, the other reference: in the story of Noah. Both arks, in different ways, vessels built with the purpose of saving life.
n.b. the name 'Moses' sounds like the Hebrew for 'draw out'.
Crossing boundaries:
Galilee and Samaria,
Jew and Gentile,
clean and unclean.
Blurry boundaries
when those who were ‘in’
became those thrown out.
Expendable through disease,
they formed a bond
beyond culture,
out of need.
A community on the edge,
survival focused unity.
It was...
mutually beneficial.
Beyond boundaries
of time and space,
both divine and human,
he walked into the margins
of their lives.
Mercy transforming them,
nine hurried away
to move from 'out'
to ‘in’ again.
Boundaries broken
by love,
the one who would never be ‘in’
with those former comrades in crisis
returned,
thankful to be taken in
by the greater company
of God.
c.Nik Mac 2022
Faith is not believing six impossible things before breakfast.
Faith is not competing for a gold medal in the spiritual Olympics.
Faith is not about quantity, but quality:
less vast sea, and more, small seed.
Faith is a leap, or sometimes a foot planted hesitantly on the floor.
Faith is relational, a life-long process of learning how to be.
Faith is a growing knowing
into the heart of God.
Faith feels its way forward, tho’ sometimes falls flat on its face.
Faith feels wild, and free – moves mulberry trees; tho’ sometimes it’s shy and timid too.
Faith feels organic, authentic, real...
which, in the end, is all that we’re truly called to be.
c.Nik Mac 2022
Purple,
the colour of power, prestige.
Fine linen;
lush and lovely –
luxurious.
The daily feasting –
food piled high;
dainty and delicate,
exotic, enticing:
spices and sherbets;
tidbits to tempt the trickiest palate.
A good life, this,
wanting for nothing,
eyes dazzled by the glory
and colour and sumptuousness of it all:
so accustomed to privilege
that he cannot see anything
or anyone other than his own.
Nothing exists beyond his bubble.
Pale:
poverty’s power stunts all.
Rags and sores,
barely cover
his flesh.
Cold saps his energy –
little strength
to keep the dogs at bay,
nipping, yapping:
ready to devour;
while his own while hunger gnaws within.
A living death, this,
having nothing, always wanting –
eyes made sharp by serious lack.
So accustomed to invisibility
that he does not have the luxury
of choosing not to see.
Beyond the bubble, he is nothing.
c.Nik Mac 2022
Maundy Thursday, in a time of pandemic...
This Maundy Thursday,
there’ll be no shared meal around a table
for there’d be more
than two households who’d gather;
no washing of feet,
nor a beloved disciple coorying in;
no touching, no hugging—
and where a kiss is a betrayal
on a variety of levels.
In a time of pandemic,
when simple touch
can lead to death,
how then to show God’s love,
to do as Jesus has done for us?
Loving one another is:
a facemask worn;
the skoosh of sanitiser,
falling cool upon hands
when making entries and exits;
making space—
at least two metres.
There are other ways to practice love—
to touch hearts without touching:
be deliverers of medicines,
of food,
of news,
or, stay home—
for that, too, is an act of loving service.
Support the local food bank.
Phone a friend,
ask them how they really are—
and give the gift of listening
when, timidly, they tiptoe past ‘fine’
and move into harder honesty.
This Maundy Thursday,
we follow the command to love
by touching other’s lives...
without touching.
c.Nik Mac 2021
Remembering a Christmas from long ago...
She had wanted to be edgy, a wee bit trendy;
to deconstruct tired Christmas tree traditions.
Day by day, she walked the beach
eyes scanning shells and sand,
dismissing plastic bottles with peeling, faded labels,
ignoring soft pink jellyfish splayed out in hot summer sun.
Among the seaweed hummocks
she found what she was looking for,
felt the smoothness of sea-washed wood in her hand.
She nodded, pleased, gave a ‘this will do nicely’ smile.
Once dried and cleaned,
rustic natural charm was replaced –
overlaid by spray of glossy white paint.
Slung between two wall lamps by fishing line,
hung with assorted baubles, shining red,
driftwood that had once been part of something bigger
seemed to make the season strangely small.
There were presents, wrapped and stacked against the wall
but firm: ‘no room for a tree this year.’
It seemed oddly fitting:
in this deconstructed Christmas
there was little room for Jesus.
When the child grew up
and made her own way in the world,
she reconstructed what felt to her like Christmas.
No matter where she lived,
how big or small her home,
there was always a tree to lay wrapped presents under –
room enough to remind her of that other gift:
of the babe wrapped in bands of cloth and laid within the manger.
[c.Nik Mac]
Based on Isaiah 64:1-9; Mark 13:24-37
'This year of cancelled things...'
Watching and waiting,
wary,
and weary with it.
Even so:
'Keep awake!'
comes the prophet's cry,
ringing out
this year of cancelled things:
concerts and carnivals,
chit-chat and dreams crushed;
losses, collected like unwanted trophies.
Time, suspended,
turns hours into eternities
of fretful forgetfulness;
blue regret
paints our days.
'Stay alert,'
the prophet whispers,
as if we were not already in a state of hyper-vigilance.
Yet, beneath the whispered warning,
something else:
a sliver of light,
a shiver of encouragement
in one small, wondered 'why?'
To keep awake,
to stay alert
means
that there is more.
These are watchwords of hopefulness.
Dawn follows dark.
All will fade, and all will be made new.
In starlight's glimmer we glimpse
a pathway to a stable
full of promise
and hear, in the near,
footsteps
pregnant with possibility.
c.Nik Mac 11/2020